Bayeux Tapestry Wikipedia. The Bayeux Tapestry or Bayeux Embroidery123 English or US, French Tapisserie de Bayeux, IPA tapisi d baj, or La telle du conquest Latin Tapete Baiocense is an embroidered cloth nearly 7. Norman conquest of England concerning William, Duke of Normandy, and Harold, Earl of Wessex, later King of England, and culminating in the Battle of Hastings. According to Sylvette Lemagnen, conservator of the tapestry The Bayeux tapestry is one of the supreme achievements of the Norman Romanesque . Its survival almost intact over nine centuries is little short of miraculous . Its exceptional length, the harmony and freshness of its colours, its exquisite workmanship, and the genius of its guiding spirit combine to make it endlessly fascinating. The tapestry consists of some fifty scenes with Latin tituli, embroidered on linen with coloured woollen yarns. Issuu is a digital publishing platform that makes it simple to publish magazines, catalogs, newspapers, books, and more online. Easily share your publications and get. It is likely that it was commissioned by Bishop Odo, Williams half brother, and made in Englandnot Bayeuxin the 1. In 1. 72. 9 the hanging was rediscovered by scholars at a time when it was being displayed annually in Bayeux Cathedral. The tapestry is now exhibited at the Muse de la Tapisserie de Bayeux in Bayeux, Normandy, France 4. N04. 20. 1W 4. N 0. W 4. The designs on the Bayeux Tapestry are embroidered rather than woven, so that it is not technically a tapestry. Nevertheless, it has always been called a tapestry until recent years, when the more correct name Bayeux Embroidery has gained ground among art historians. The tapestry can be seen as the final and best known work of Anglo Saxon art, and though made after the Conquest was both made in England and firmly in an Anglo Saxon tradition, points now accepted by French art historians. Such tapestries adorned both churches and wealthy houses in England, though at 0. Bayeux Tapestry is exceptionally large. Only the figures and decoration are embroidered, on a background left plain, which shows the subject very clearly and was necessary to cover large areas. OriginseditBayeux Cathedral, home of the tapestry in the middle ages and until the beginning of the 1. The earliest known written reference to the tapestry is a 1. Bayeux Cathedral,7 but its origins have been the subject of much speculation and controversy. French legend maintained the tapestry was commissioned and created by Queen Matilda, William the Conquerors wife, and her ladies in waiting. Indeed, in France it is occasionally known as La Tapisserie de la Reine Mathilde Tapestry of Queen Matilda. Eds Embroidery Software For Use With Windows 95' title='Eds Embroidery Software For Use With Windows 95' />CURRENT CLASSIFIEDS Scroll to the bottom of this page to view the most recent classifieds. Or, browse around our Site. We may have what youre looking for in stock. Welcome to Data 7, providers of embroidery software, embroidery conversion software, online showplate and number plates designers. Patty Ayon, Training Specialist. Patricia Ayon joined the SDC in December of 2013 and brings with her over 14 years of experience in both State and County government. From millions of real job salary data. Average salary is Detailed starting salary, median salary, pay scale, bonus data report. Sewing is the craft of fastening or attaching objects using stitches made with a needle and thread. Sewing is one of the oldest of the textile arts, arising in the. The earliest known written reference to the tapestry is a 1476 inventory of Bayeux Cathedral, but its origins have been the subject of much speculation and controversy. However, scholarly analysis8 in the 2. Williams half brother, Bishop Odo, who, after the Conquest, became Earl of Kent and, when William was absent in Normandy, regent of England. The reasons for the Odo commission theory include 1 three of the bishops followers mentioned in the Domesday Book appear on the tapestry 2 it was found in Bayeux Cathedral, built by Odo and 3 it may have been commissioned at the same time as the cathedrals construction in the 1. Assuming Odo commissioned the tapestry, it was probably designed and constructed in England by Anglo Saxon artists Odos main power base being by then in Kent the Latin text contains hints of Anglo Saxon other embroideries originate from England at this time and the vegetable dyes can be found in cloth traditionally woven there. Howard B. Clarke has proposed that the designer of the tapestry was Scolland, the abbot of St Augustines Abbey in Canterbury, because of his previous position as head of the scriptorium at Mont Saint Michel famed for its illumination, his travels to Trajans Column, and his connections to Wadard and Vital, two individuals identified in the tapestry. The actual physical work of stitching was most likely undertaken by female needle workers. Anglo Saxon needlework of the more detailed type known as Opus Anglicanum was famous across Europe. It was perhaps commissioned for display in the hall of his palace and then bequeathed to the cathedral he built, following the pattern of the documented but lost hanging of Byrhtnoth. Alternative theories exist. Carola Hicks has suggested it could possibly have been commissioned by Edith of Wessex. Wolfgang Grape has challenged the consensus that the embroidery is Anglo Saxon, distinguishing between Anglo Saxon and other Northern European techniques 1. Medieval material authority Elizabeth Coatsworth1. The attempt to distinguish Anglo Saxon from other Northern European embroideries before 1. George Beech suggests the tapestry was executed at the Abbey of St. Florent in the Loire Valley, and says the detailed depiction of the Breton campaign argues for additional sources in France. Andrew Bridgeford has suggested that the tapestry was actually of English design and encoded with secret messages meant to undermine Norman rule. Construction, design and techniqueeditIn common with other embroidered hangings of the early medieval period, this piece is conventionally referred to as a tapestry, although it is not a true tapestry in which the design is woven into the cloth it is in fact an embroidery. The Bayeux tapestry is embroidered in crewel woolyarn on a tabby wovenlinen ground 6. Nine linen panels, between fourteen and three metres in length, were sewn together after each was embroidered and the joins were disguised with subsequent embroidery. At the first join start of scene 1. The design involved a broad central zone with narrow decorative borders top and bottom. By inspecting the woollen threads behind the linen it is apparent all these aspects were embroidered together at a session and the awkward placing of the tituli is not due to them being added later. Later generations have patched the hanging in numerous places and some of the embroidery especially in the final scene has been reworked. The tapestry may well have maintained much of its original appearanceit now compares closely with a careful drawing made in 1. The main yarn colours are terracotta or russet, blue green, dull gold, olive green, and blue, with small amounts of dark blue or black and sage green. Later repairs are worked in light yellow, orange, and light greens. Laid yarns are couched in place with yarn of the same or contrasting colour. The tapestrys central zone contains most of the action, which sometimes overflows into the borders either for dramatic effect or because depictions would otherwise be very cramped for example at Edwards death scene. Events take place in a long series of scenes which are generally separated by highly stylised trees. However, the trees are not placed consistently and the greatest scene shift, between Harolds audience with Edward after his return to England and Edwards burial scene, is not marked in any way at all. The tituli are normally in the central zone but occasionally use the top border. The borders are otherwise mostly purely decorative and only sometimes does the decoration complement the action in the central zone. Aster Gdem Data more. The decoration consists of birds, beasts, fish and scenes from fables, agriculture and hunting. There are frequent oblique bands separating the vignettes. There are nude figures, some of corpses from battle, others of a ribald nature. A harrow, a newly invented implement, is depicted scene 1. The picture of Halleys Comet, which appears in the upper border scene 3.